AARON KOOPAL

I’m a designer currently attending Iowa State University while pursuing a Bachelors degree in Architecture. My approach to architecture is as a generalist – with interests spanning from technical practice to written theory, construction, and more. Through my studies, I’ve found that all of these aspects intersect each other in suprising ways, each serving a distinct purpose in creating meaningful design.

I have a broad range of experience in architectural publications, building construction, critical theory, and model-making.

+ ABOUT ME

The following is a selection of various works and ideas I’ve produced during my studies:

+ VIGIL & THE GREEN MAN
+ DIA: ARTIST RESIDENCY
+ PART & WHOLE
+ E-63 LAND ARCHIVE
+ CAVERN PAVILION
+ DATUM: JOURNAL OF ARCHITECTURE
+ OTHER COLLECTIONS
AARON KOOPAL

Bachelors degree in Architecture from Iowa State University. My approach to architecture is as a generalist – with interests spanning from technical practice to written theory, visual media, construction, and more. Through my studies, I’ve found that all of these aspects intersect each other in surprising and unexpected ways, each serving a distinct purpose in creating meaningful design. My work aims to shed light on this multidisciplinary process.

I have a broad range of experience in architectural publications, building construction, critical theory, and model-making.

+ ABOUT ME

The following is a selection of various works and ideas I’ve produced during my studies. Please note that some media may take time to load.

+ 12 x 10 x 10 PROJECT
+ VIGIL & THE GREEN MAN
+ DIA: ARTIST RESIDENCY
+ PART & WHOLE
E-63 LAND ARCHIVE
+ CAVERN PAVILION
+ OTHER COLLECTIONS

koopal.aaron@gmail.com
1 515 313 6638



Spring 2021
Semester #4
2023 BWBR Competition Finalist

Aaron Koopal
Gabriela Robles-Munoz

Art and architecture are mediums that, through their creation and expression, are a reflection of their makers and the circumstances they endure. The creation and final forms of each are laden with circumstance. The product cannot exist without the process.

This architecture is meant for those whose lived experiences inform the things they create, whether these creations are tangible artifacts, writings, spaces, or just thoughts.

The creative process is iterative, destructive, and highly personal. In order to create a residency that we felt could accommodate the needs and desires of creatives, we deliberately moved towards design decisions that would create open-ended, ambiguous spaces whose prescription would ultimately be determined through their usage.

Those who inhabit this space, both through the things they create and the simple fact that they inhabit, participate in the relationship of what is to what can be. The self, through presence, absence, and potential, is the link to the whole. The occupation of the building affects the lives and processes of those within it, just as the occupants inform the program and subsequent usage of the space.
This architecture, through intentional exposure of its connections, details, layers, and inner workings, lays itself bare. Transparency, layering, and repetition work together with subtle variation, through which varied details expose the fact that this structure is not a homogenous unity, but a heterogenous totality.

This totality, through its lack of explicit prescription, allows its inhabitants to contribute to what the space becomes. Although it exists as an entity separate from those that interact with it, this architecture reaches its fullest potential when its inhabitants, though occupation, bring definition.

The material conditions of the space, through their consistent nature, fade into the background. Lack of interruption or ornamentation allow users to focus on how the space makes them feel. This quality contributes to the things created here – whose focus is on introspection and the varied individual experiences that occur within a shared reality.